Composer

:

Francesco Geminiani

Genre

:

Concerto

Style

:

Concerto Grosso

Compose Date

:

1729

Publication Date

:

1729

Average_duration

:

9:32

Movement_count

:

4

Movement ....

Francesco Geminiani's Concerto Grosso No. 9 in A major (after Corelli Op. 5/9) was composed in the early 18th century. The piece is a tribute to the Italian composer Arcangelo Corelli, whose Opus 5 collection of concerti grossi was highly influential in the Baroque era. Geminiani's concerto grosso is a reworking of Corelli's ninth concerto from that collection. The concerto grosso is divided into four movements: Preludio, Allemanda, Sarabanda, and Giga. The Preludio is a lively and energetic opening movement, featuring a virtuosic solo violin part that is passed around the ensemble. The Allemanda is a dance-like movement in triple meter, with a more subdued and lyrical character. The Sarabanda is a slow and stately movement, with a mournful and expressive melody. The Giga is a fast and lively finale, with a playful and joyful character. One of the defining characteristics of Geminiani's Concerto Grosso No. 9 is its use of counterpoint. The piece features intricate and complex interplay between the soloists and the ensemble, with each part weaving in and out of the texture. Geminiani also employs a wide range of instrumental colors and textures, with the soloists often playing off of each other in intricate and virtuosic passages. Overall, Geminiani's Concerto Grosso No. 9 in A major is a masterful tribute to the music of Arcangelo Corelli, showcasing the composer's skill in reworking and expanding upon the Baroque tradition. Its intricate counterpoint and virtuosic solo passages make it a challenging and rewarding piece for performers and listeners alike. The concerto grosso premiered in the early 18th century and has since become a beloved staple of the Baroque repertoire.

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