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Franz Schubert
Mirjam's Siegesgesang, D. 942, Op. posth. 136
Works Info
Composer
:
Franz Schubert
Genre
:
Choral
Style
:
Cantata
Compose Date
:
Mar 1828
Average_duration
:
17:57
Movement_count
:
6
Movement ....
Franz Schubert's "Mirjam's Siegesgesang" is a choral work composed in 1828, just a year before his death. The piece was not premiered until 1879, over 50 years after Schubert's passing. It is also known as "Miriam's Song of Triumph" and is catalogued as D. 942, Op. posth. 136. The work is divided into three movements, with the first and third being choral pieces and the second being a solo for alto. The text is taken from the Old Testament book of Exodus, specifically the passage where Miriam leads the Israelites in a song of praise after they have crossed the Red Sea and escaped from the pursuing Egyptian army. The first movement begins with a slow and solemn introduction, with the choir singing in unison. The tempo then picks up as the choir sings of the Israelites' escape and the destruction of the Egyptian army. The music is triumphant and celebratory, with the choir singing in harmony and the orchestra providing a lively accompaniment. The second movement is a solo for alto, with the text focusing on Miriam's role in leading the Israelites in song. The music is more introspective and contemplative, with the alto singing in a more subdued manner. The orchestra provides a gentle accompaniment, with the strings and woodwinds creating a delicate and ethereal atmosphere. The final movement returns to the celebratory tone of the first, with the choir singing of God's power and the Israelites' triumph. The music is grand and majestic, with the choir and orchestra working together to create a sense of awe and wonder. Overall, "Mirjam's Siegesgesang" is a powerful and moving work that showcases Schubert's skill as a composer. The music is both celebratory and introspective, with the choir and orchestra working together to create a sense of drama and emotion. Despite being composed over 150 years ago, the piece still resonates with audiences today and is considered a masterpiece of choral music.
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