Max Reger
Chorale Prelude "O Gott, du frommer Gott", Op. 67/31
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Composer:Max RegerGenre:KeyboardStyle:Chorale PreludeCompose Date:1902Average_duration:1:35Max Reger's 'Chorale Prelude O Gott, du frommer Gott, Op. 67/31' is a piece of music that was composed in 1902. It was premiered on the 22nd of February, 1903, in Leipzig, Germany. The piece is part of a larger collection of chorale preludes that Reger composed between 1899 and 1903. The 'Chorale Prelude O Gott, du frommer Gott' is a single-movement piece that is based on the hymn tune of the same name. The piece is written for organ and is characterized by its complex harmonies and dense textures. Reger's use of chromaticism and dissonance in the piece is particularly notable, as it creates a sense of tension and unease that is not typically found in traditional hymns. The piece begins with a slow and solemn introduction that sets the tone for the rest of the piece. The melody of the hymn tune is then introduced in the pedals, accompanied by a series of complex harmonies in the manuals. The melody is then passed between the pedals and manuals, with each voice adding its own unique harmonies and textures to the piece. As the piece progresses, Reger introduces a number of variations on the hymn tune. These variations range from simple embellishments of the melody to complex contrapuntal passages that weave the melody in and out of the various voices. The piece reaches its climax with a powerful and dramatic section that features a series of descending chromatic lines in the pedals. Overall, the 'Chorale Prelude O Gott, du frommer Gott' is a complex and challenging piece of music that showcases Reger's mastery of harmony and counterpoint. Its use of dissonance and chromaticism creates a sense of tension and unease that is not typically found in traditional hymns, making it a unique and compelling addition to the organ repertoire.More....
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Chorale Prelude "O God, thou pious God", Op. 67/31
O Gott, du frommer Gott, für orgel, Op. 67/30 (52 leicht ausführbare Vorspiele zu den gebräuchlichsten evangelischen Chorälen)
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