Composer

:

Franz Liszt

Genre

:

Orchestral

Style

:

Symphony

Compose Date

:

1848 - 1854

Publication Date

:

1857

First Performance

:

Jan 4, 1857

Average_duration

:

30:43

Franz Liszt's "Ce qu'on entend sur la montagne Bergsymphonie, S. 95" is a symphonic poem that was composed in 1850. It premiered on March 18, 1856, in Weimar, Germany, under the direction of Liszt himself. The piece is divided into four movements, each of which represents a different aspect of the mountain landscape. The first movement, "Nachtliche Wanderung" (Nocturnal Wanderings), begins with a quiet, mysterious theme that gradually builds in intensity as the hiker climbs higher up the mountain. The second movement, "Sonnenuntergang" (Sunset), is a slow, lyrical piece that captures the beauty of the setting sun over the mountain peaks. The third movement, "Erscheinung" (Apparition), is the most dramatic of the four. It begins with a sudden burst of sound that represents the appearance of a supernatural being on the mountain. The music then becomes more frenzied and chaotic as the hiker tries to escape the apparition's grasp. The final movement, "Hymne" (Hymn), is a triumphant celebration of the mountain landscape. It features a majestic theme that is played by the full orchestra, and it builds to a powerful climax that represents the hiker's triumph over the challenges of the mountain. Overall, "Ce qu'on entend sur la montagne Bergsymphonie, S. 95" is a masterful example of Liszt's skill as a composer. It captures the beauty and drama of the mountain landscape in a way that is both evocative and powerful.

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