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Camille Saint-Saëns
Fantasie No. 2 in D flat major, Op. 101
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Works Info
Composer
:
Camille Saint-Saëns
Genre
:
Keyboard
Style
:
Fantasy
Compose Date
:
1895
Publication Date
:
1895
Average_duration
:
11:54
Camille Saint-Saëns composed his 'Fantasie No. 2 in D flat major, Op. 101' in 1893. The piece was premiered on January 23, 1894, in Paris, with the composer himself at the piano. The 'Fantasie No. 2' is a single-movement work that lasts around 12 minutes. The piece begins with a slow and mysterious introduction, marked Andante, which sets the mood for the entire work. The main theme is then introduced by the piano, marked Allegro molto, which is a lively and energetic melody that is full of virtuosic passages. The theme is then developed and transformed throughout the piece, with the piano and orchestra taking turns to present it. The 'Fantasie No. 2' is characterized by its rich and colorful orchestration, with Saint-Saëns making full use of the orchestra's capabilities. The piece features a wide range of textures, from delicate and intimate moments to grand and majestic passages. The piano is also given a prominent role, with the soloist performing a number of dazzling runs and arpeggios. The middle section of the piece, marked Andantino, is a lyrical and expressive passage that provides a contrast to the energetic opening. The piano takes center stage here, with the orchestra providing a delicate accompaniment. The music gradually builds in intensity, leading to a dramatic climax before returning to the main theme. The 'Fantasie No. 2' concludes with a brilliant coda, marked Allegro molto, which brings the piece to a thrilling close. The piano and orchestra engage in a lively dialogue, with the soloist performing a series of dazzling runs and trills. The music builds to a frenzied climax before ending with a triumphant flourish. Overall, the 'Fantasie No. 2 in D flat major, Op. 101' is a virtuosic and colorful work that showcases Saint-Saëns' mastery of orchestration and piano writing. Its lively and energetic character, combined with its lyrical and expressive moments, make it a popular choice for pianists and orchestras alike.
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