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1
Italian Anonymous
Italian Anonymous
German Chançoneta No. 2
Chanconeta Tedescha
Chançoneta Tedescha No. 2
Chanconeta Tedescha
Ensemble Passacaglia
2:2
2
Italian Anonymous
Italian Anonymous
Gagliarda la Rocha el Fuso
Rochalfaso (La Rocha el Fuso)
Gagliarda la Rocha el Fuso
Rochalfaso (La Rocha el Fuso)
The Lviv Lute
1:36
3
Italian Anonymous
Italian Anonymous
The Manfredina
La Manfredina Estampie
La Manfredina
La Manfredina Estampie
A Meeting Place: Medieval & Renaissance Music for Lute & Ud
1:6
4
Italian Anonymous
Italian Anonymous
Saltarello
Saltarello
A Meeting Place: Medieval & Renaissance Music for Lute & Ud
1:26
5
Italian Anonymous
Italian Anonymous
Misery
Miserere
Nicola Antonio Porpora: Passio
10:3
6
Italian Anonymous
Italian Anonymous
Arises
Surge
Frottole: Songs from the Courts of Renaissance Italy
2:4
7
Italian Anonymous
Italian Anonymous
The trumpet sounds
La tromba sona
Frottole: Songs from the Courts of Renaissance Italy
3:35
8
Italian Anonymous
Italian Anonymous
O hold alora
Tente alora
O tiente alora
Tente alora
Frottole: Songs from the Courts of Renaissance Italy
2:4
9
Italian Anonymous
Italian Anonymous
I must hide you
Che ti zova nasconder (Codex Rossi, Italian, 14th Century)
Che ti zova nasconder
Che ti zova nasconder (Codex Rossi, Italian, 14th Century)
Amor Vincit Omnia
4:42
10
Italian Anonymous
Italian Anonymous
Salve Virgo rubens pink
Salve virgo rubens rosa (I-Bc Q11)
Salve Virgo rubens rosa
Salve virgo rubens rosa (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
1:12
11
Italian Anonymous
Italian Anonymous
Hail lux / Salve virgo / [neuma]
Ave lux / Salve virgo / [neuma] (E-Bu1h)
Ave lux / Salve virgo / [neuma]
Ave lux / Salve virgo / [neuma] (E-Bu1h)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
1:8
12
Italian Anonymous
Italian Anonymous
Confiteor Deo patri
Confiteor Deo patri (I-Bc Q11)
Confiteor Deo patri
Confiteor Deo patri (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
1:26
13
Italian Anonymous
Italian Anonymous
Verum sine spins
Verum sine spina (I-Bc Q11)
Verum sine spina
Verum sine spina (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
3:11
14
Italian Anonymous
Italian Anonymous
Hodie sancta Margarita
Alleluia. Hodie sancta Margarita (I-Bc Q11)
Hodie sancta Margarita
Alleluia. Hodie sancta Margarita (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
3:1
15
Italian Anonymous
Italian Anonymous
Jesus regem
Alleluia. Iesum regem (I-Bc Q11)
Iesum regem
Alleluia. Iesum regem (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
3:20
16
Italian Anonymous
Italian Anonymous
Sanctus & Benedict
Sanctus & Benedictus (I-Bc Q11)
Sanctus & Benedictus
Sanctus & Benedictus (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
2:9
17
Italian Anonymous
Italian Anonymous
Or consolatrix pauperum
Alleluia. O consolatrix pauperum (I-Bc Q11)
O consolatrix pauperum
Alleluia. O consolatrix pauperum (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
3:19
18
Italian Anonymous
Italian Anonymous
Benedicamus Cunctipotens
Benedicamus Cunctipotens (I-Bc Q11)
Benedicamus Cunctipotens
Benedicamus Cunctipotens (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
58
19
Italian Anonymous
Italian Anonymous
Exit rosa de thorn bush
Exit rosa de spineto (I-Bc Q11)
Exit rosa de spineto
Exit rosa de spineto (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
4:28
20
Italian Anonymous
Italian Anonymous
Creed apostolorum
Credo Apostolorum (I-Bc Q11)
Credo apostolorum
Credo Apostolorum (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
3:19
21
Italian Anonymous
Italian Anonymous
Virgo consecration melius
Virgo viget melius (I-Bc Q11)
Virgo viget melius
Virgo viget melius (I-Bc Q11)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
1:25
22
Italian Anonymous
Italian Anonymous
Hello virgo Dei mater
Alleluia. Salve virgo Dei mater(I-Bc Q11; E-Bu1h)
Salve virgo Dei mater
Alleluia. Salve virgo Dei mater(I-Bc Q11; E-Bu1h)
Exit Rosa: Chants for the Nuns from Manuscript Q.111 of Bologna
4:30
23
Italian Anonymous
Italian Anonymous
On come and counsel (attribution Scarlatti)
Su venite e consiglio
Su venite e consiglio (attrib. Scarlatti)
Su venite e consiglio
The Record of Singing, 1899-1952: The Very Best of Volumes 1-4
3:20
24
Italian Anonymous
Italian Anonymous
I stitched on an ancoleta
I occhi di una ancoleta
Musica del XV Secolo in Italia
4:
25
Italian Anonymous
Italian Anonymous
Hail Mater o Maria
Ave Mater o Maria
Musica del XV Secolo in Italia
3:18
26
Italian Anonymous
Italian Anonymous
Time may be outside
Hora may che fora son
Musica del XV Secolo in Italia
3:11
27
Italian Anonymous
Italian Anonymous
O cruel match
O partita crudele
Musica del XV Secolo in Italia
2:32
28
Italian Anonymous
Italian Anonymous
Benedicti and lauded
Benedicti e llaudati
Aquilonis
4:40
29
Italian Anonymous
Italian Anonymous
Ay! Linda friend
Ay Linda amiga
Ay! Linda amiga
Ay Linda amiga
Nuevos Mundos
3:50
30
Italian Anonymous
Italian Anonymous
Alas you sigh
Ahimè sospiri
Frottole: Popular Songs of Renaissance Italy
3:7
31
Italian Anonymous
Italian Anonymous
New star among the people, lauda
Stella nuova'n fra la gente
Stella nuova'n fra la gente, lauda
Stella nuova'n fra la gente
Concert Celeste
2:35
32
Italian Anonymous
Italian Anonymous
Praeambulum tertii toni (attributed to A. Gabrieli)
Praeambulum tertii toni
Praeambulum tertii toni (attributed to A. Gabrieli)
Praeambulum tertii toni
Andrea Gabrieli: Complete Keyboard Music
2:7
33
Italian Anonymous
Italian Anonymous
Toccata first tones (attributed to A. Gabrieli)
Toccata primi toni
Toccata primi toni (attributed to A. Gabrieli)
Toccata primi toni
Andrea Gabrieli: Complete Keyboard Music
5:21
34
Italian Anonymous
Italian Anonymous
Canzon primo tono (variously attributed to A. Gabrieli, HL Hassler, C. Merulo)
Canzon primo tono
Canzon primo tono (variously attributed to A. Gabrieli, H.L. Hassler, C. Merulo)
Canzon primo tono
Andrea Gabrieli: Complete Keyboard Music
3:13
35
Italian Anonymous
Italian Anonymous
Madrigal (attributed to A. Gabrieli)
Canzoni alla francese: Libro sesto: Madrigal, for three voices; no title (attr. A. Gabrieli)
Madrigal (attributed to A. Gabrieli)
Canzoni alla francese: Libro sesto: Madrigal, for three voices; no title (attr. A. Gabrieli)
Andrea Gabrieli: Complete Keyboard Music
3:47
36
Italian Anonymous
Italian Anonymous
Chaconne of Heaven and Hell "O che bel star"
Ciaccona Di Paradiso e Dell'Inferno
Ciaccona di Paradiso, e dell'inferno "O che bel star"
Ciaccona Di Paradiso e Dell'Inferno
Chaconne: Voices of Eternity
2:23
37
Italian Anonymous
Italian Anonymous
Saltarello
Saltarello (Londres, British Library, Additional 29987)
Saltarello
Saltarello (Londres, British Library, Additional 29987)
The Evidence: El Arte Medieval de la Peñola
2:37
38
Italian Anonymous
Italian Anonymous
I begin with joy
Chominciamento di Gioia (Joy's Beginning)
Chominciamento di gioia
Chominciamento di Gioia (Joy's Beginning)
Amaryllis
7:5
39
Italian Anonymous
Italian Anonymous
Saltarello
Saltarello
Tradizione scritta e tradizione orale tra Medioevo e Rinascimento
4:8
40
Italian Anonymous
Italian Anonymous
Saltarello
Saltarello
Tradizione scritta e tradizione orale tra Medioevo e Rinascimento
4:24
41
Italian Anonymous
Italian Anonymous
Saltarello
Saltarello
Tradizione scritta e tradizione orale tra Medioevo e Rinascimento
3:9
42
Italian Anonymous
Italian Anonymous
Dança Amorosa / Trout
Troto
Dança Amorosa / Troto
Troto
Francesco Landini: Cantasi Come
1:15
43
Italian Anonymous
Italian Anonymous
Saltarello No. 3
Saltarello III
Saltarello No. 3
Saltarello III
Francesco Landini: Cantasi Come
1:5
44
Italian Anonymous
Italian Anonymous
Saltarello No. 2 (British Library Ms. 29987)
Saltarello II
Saltarello No. 2 (British Library Ms. 29987)
Saltarello II
Francesco Landini: Cantasi Come
1:48
45
Italian Anonymous
Italian Anonymous
Saltarello No. 1
Saltarello I
Saltarello No. 1
Saltarello I
Francesco Landini: Cantasi Come
4:31
46
Italian Anonymous
Italian Anonymous
Ghaetta
Ghaetta
Francesco Landini: Cantasi Come
6:6
47
Italian Anonymous
Italian Anonymous
Passacalli of life "Homo fugit velut umbra"
Passacalli della vita
Passacalli della vita "Homo fugit velut umbra"
Passacalli della vita
The Secret Lover
3:30
48
Italian Anonymous
Italian Anonymous
Allemana ripresa: Quando ritrova
Ripresa
Allemana-ripresa: Quando ritrova
Ripresa
Quando Cala la Notte
1:43
49
Italian Anonymous
Italian Anonymous
You torment me wrongly
Tu mi tormenti a torto
Quando Cala la Notte
3:58
50
Italian Anonymous
Italian Anonymous
Benedicamus devotis mentibus
Benedicamus devotis mentibus 3-part Benedicamus trope
Benedicamus devotis mentibus
Benedicamus devotis mentibus 3-part Benedicamus trope
Miracula: Medieval Music for Saint Nicholas
1:46
51
Italian Anonymous
Italian Anonymous
Principle of virtue
Principio di virtu
Principio di virtù
Principio di virtu
Figures of Harmony: Songs of Codex Chantilly c. 1390
6:42
52
Italian Anonymous
Italian Anonymous
Pastorella si leva per tempo
La pastorella si leva per tempo
Music for the House of a Gentleman
2:17
53
Italian Anonymous
Italian Anonymous
Pavane "The bisson"
El bisson (à cinque - 2 cornetti, 3 tromboni)
Pavana "El bisson"
El bisson (à cinque - 2 cornetti, 3 tromboni)
L' Arte dei Piffari: Cornetts and Sackbuts in Early Baroque Italy
2:58
54
Italian Anonymous
Italian Anonymous
Serious [i]
Grave
Grave [i]
Grave
Italian Sonatas
5:6
55
Italian Anonymous
Italian Anonymous
Serious [ii]
Grave
Grave [ii]
Grave
Italian Sonatas
3:31
56
Italian Anonymous
Italian Anonymous
We go to Maria, laud (contrafactum of 'We go hunting')
Iamo a Maria
Iamo a Maria, laud (contrafactum of 'Iamo a la caccia')
Iamo a Maria
Alma, svegliate ormai: Contrafacta devozionali nella musica italiana tra XV e XVI sec.
4:9
57
Italian Anonymous
Italian Anonymous
I'm more ill married
I'son più mal maritata
Alma, svegliate ormai: Contrafacta devozionali nella musica italiana tra XV e XVI sec.
3:17
58
Italian Anonymous
Italian Anonymous
Io son più perfida ungrateful, laud (contrafactum of 'I'son più mal maritata')
Io son più perfida ingrata
Io son più perfida ingrata, laud (contrafactum of 'I'son più mal maritata')
Io son più perfida ingrata
Alma, svegliate ormai: Contrafacta devozionali nella musica italiana tra XV e XVI sec.
3:50
59
Italian Anonymous
Italian Anonymous
If your servant Amor made me
Se tuo servo Amor mi fe'
Alma, svegliate ormai: Contrafacta devozionali nella musica italiana tra XV e XVI sec.
2:38
60
Italian Anonymous
Italian Anonymous
Isabella
Isabella (Estampie)
Isabella
Isabella (Estampie)
The Four Quarters of Jerusalem
6:37
61
Italian Anonymous
Italian Anonymous
Pavane "The bisson"
Pavana: El Bisson a 4
Pavana "El bisson"
Pavana: El Bisson a 4
Battaglie e Lamenti
3:15
62
Italian Anonymous
Italian Anonymous
O cruel match
O partita crudele
Di Guerra e di Pace
2:24
63
Italian Anonymous
Italian Anonymous
Sonata for violin & continuo in D major (Saxon State Library, Dresden (D-Dl): Mus.2-R-8,18)
Adagio
Sonata for violin & continuo in D major (Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2-R-8,18)
Adagio
Antonio Lucio Vivaldi: Nuove Sonate
2:24
64
Italian Anonymous
Italian Anonymous
Sonata for violin & continuo in D major (Saxon State Library, Dresden (D-Dl): Mus.2-R-8,18)
Allegro
Sonata for violin & continuo in D major (Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2-R-8,18)
Allegro
Antonio Lucio Vivaldi: Nuove Sonate
2:30
65
Italian Anonymous
Italian Anonymous
Sonata for violin & continuo in D major (Saxon State Library, Dresden (D-Dl): Mus.2-R-8,18)
Largo
Sonata for violin & continuo in D major (Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2-R-8,18)
Largo
Antonio Lucio Vivaldi: Nuove Sonate
1:25
66
Italian Anonymous
Italian Anonymous
Sonata for violin & continuo in D major (Saxon State Library, Dresden (D-Dl): Mus.2-R-8,18)
Allegro
Sonata for violin & continuo in D major (Sächsische Landesbibliothek, Dresden (D-Dl): Mus.2-R-8,18)
Allegro
Antonio Lucio Vivaldi: Nuove Sonate
2:40
67
Italian Anonymous
Italian Anonymous
Monica
Monicha
Sentirete una Canzonetta: Affetti musicali tra Rinascimento e Barocco
4:10
68
Italian Anonymous
Italian Anonymous
Pavane & Saltarello
Ricercada - Pavana, Saltarello de la pavana (from Manoscritto di Castell'Arquato)
Pavane & Saltarello
Ricercada - Pavana, Saltarello de la pavana (from Manoscritto di Castell'Arquato)
Balli, battaglie e canzoni: 16th Century music for organ and percussion
5:10
69
Italian Anonymous
Italian Anonymous
This girl Amor
Questa fanciulla Amor (early 15th century)
Questa fanciulla Amor
Questa fanciulla Amor (early 15th century)
Knights, Maids and Miracles: The Spring of Middle Ages
2:56
70
Italian Anonymous
Italian Anonymous
Thanking the Lord
Lo Signore ringraçando (late 13th Century)
Lo Signore ringraçando
Lo Signore ringraçando (late 13th Century)
Knights, Maids and Miracles: The Spring of Middle Ages
6:12
71
Italian Anonymous
Italian Anonymous
O lylium convallium / Submersus Iacet Pharaoh
O lylium convallium / Submersus iacet Pharao (10th century)
O lylium convallium / Submersus Iacet Pharao
O lylium convallium / Submersus iacet Pharao (10th century)
Knights, Maids and Miracles: The Spring of Middle Ages
3:24
72
Italian Anonymous
Italian Anonymous
The nobil scala
La nobil scala (mid 14th century)
La nobil scala
La nobil scala (mid 14th century)
Knights, Maids and Miracles: The Spring of Middle Ages
2:30
73
Italian Anonymous
Italian Anonymous
Tre fountain
Tre Fontane (14th century)
Tre fontane
Tre Fontane (14th century)
Knights, Maids and Miracles: The Spring of Middle Ages
8:23
74
Italian Anonymous
Italian Anonymous
Pavana "The Reason"
Padouana della Ragione
Pavana "La Ragione"
Padouana della Ragione
Philippe Verdelot, Sylvestro Ganassi: Madrigali Diminuiti
2:54
75
Italian Anonymous
Italian Anonymous
Pavana "The ternarine"
Padouana La Ternarina
Pavana "La ternarina"
Padouana La Ternarina
Philippe Verdelot, Sylvestro Ganassi: Madrigali Diminuiti
1:39
76
Italian Anonymous
Italian Anonymous
If you wish
Se a vostra voglia
Philippe Verdelot, Sylvestro Ganassi: Madrigali Diminuiti
4:43
77
Italian Anonymous
Italian Anonymous
Pacientia ognom tells me
Pacientia ognom mi dice
Philippe Verdelot, Sylvestro Ganassi: Madrigali Diminuiti
5:42
78
Italian Anonymous
Italian Anonymous
Stamp of Rocamadour
Estampida de Rocamadour
Hic et Nunc
3:
79
Italian Anonymous
Italian Anonymous
Saltarello No. 3
Saltarello (Manuscrit de Londres)
Saltarello No. 3
Saltarello (Manuscrit de Londres)
Hic et Nunc
1:32
80
Italian Anonymous
Italian Anonymous
Tre fountain
Tre Fontane [Instrumentale]
Tre fontane
Tre Fontane [Instrumentale]
Metamorfosi Trecento
7:15
81
Italian Anonymous
Italian Anonymous
Tarantella
Tarantella Napoletana
Tarantella
Tarantella Napoletana
Fremer l'Arpa ho Sentido per Via ...: Canti e Danze dalla Tradizione Viaggianese
3:26
82
Italian Anonymous
Italian Anonymous
Oh, Beate Januari
O beate Januari
Ghirlanda Sacra: Early 17th-Century Music in Naples
2:24
83
Italian Anonymous
Italian Anonymous
Modena Duets No. 1/32
Modena Duet #1/32
Modena Duets No. 1/32
Modena Duet #1/32
Music for Trumpets, Strings and Organ from Before 1700
1:25
84
Italian Anonymous
Italian Anonymous
Second Lament for Maundy Thursday in the Evening
Introduzione (Allegro)
Lamentazione Seconda for Giovedi Santo la Sera
Introduzione (Allegro)
Sacred Salterio: Lamentations for the Holy Week
48
85
Italian Anonymous
Italian Anonymous
Second Lament for Maundy Thursday in the Evening
LAMED. Matribus suis dixerunt, MEM. Cui comparabo te?, NUN (Largo giusto)
Lamentazione Seconda for Giovedi Santo la Sera
LAMED. Matribus suis dixerunt, MEM. Cui comparabo te?, NUN (Largo giusto)
Sacred Salterio: Lamentations for the Holy Week
3:45
86
Italian Anonymous
Italian Anonymous
Second Lament for Maundy Thursday in the Evening
Prophetae tui viderunt tibi falsa SAMECH (Andante)
Lamentazione Seconda for Giovedi Santo la Sera
Prophetae tui viderunt tibi falsa SAMECH (Andante)
Sacred Salterio: Lamentations for the Holy Week
2:8
87
Italian Anonymous
Italian Anonymous
Second Lament for Maundy Thursday in the Evening
Plauserunt super te manibus (Recitativo)
Lamentazione Seconda for Giovedi Santo la Sera
Plauserunt super te manibus (Recitativo)
Sacred Salterio: Lamentations for the Holy Week
33
88
Italian Anonymous
Italian Anonymous
Second Lament for Maundy Thursday in the Evening
Jerusalem convertere (Larghetto con Salterio sempre sonante)
Lamentazione Seconda for Giovedi Santo la Sera
Jerusalem convertere (Larghetto con Salterio sempre sonante)
Sacred Salterio: Lamentations for the Holy Week
4:26
89
Italian Anonymous
Italian Anonymous
Metastasio's act of grief ('I offer you my own son')
Io ti offro il proprio figlio (Largo assai)
Atto di dolore di Metastasio ('Io ti offro il proprio figlio')
Io ti offro il proprio figlio (Largo assai)
Sacred Salterio: Lamentations for the Holy Week
3:1
90
Italian Anonymous
Italian Anonymous
Tristan's lament
Lamento di Tristano
Danze del Medioevo
3:31
91
Italian Anonymous
Italian Anonymous
Saltarello
Saltarello
Danze del Medioevo
2:19
92
Italian Anonymous
Italian Anonymous
Ghaetta
Ghaetta-Istampita
Ghaetta
Ghaetta-Istampita
Danze del Medioevo
5:6
93
Italian Anonymous
Italian Anonymous
Quasi semper avanti il di
Quasi sempre avanti di
Quasi sempre avanti il dì
Quasi sempre avanti di
Fro Bin Ich Dein: Musical treasures from 16th century Basel
3:30
94
Italian Anonymous
Italian Anonymous
Sonata for the Offertorio No. 1
Suonata per l'Offertorio N. 1
Sonata per l'Offertorio No. 1
Suonata per l'Offertorio N. 1
Musica d'organo nella Sardegna dell'Ottocento
3:51
95
Italian Anonymous
Italian Anonymous
Sonata for the Offertorio No. 3
Suonata per l'Offertorio N. 3
Sonata per l'Offertorio No. 3
Suonata per l'Offertorio N. 3
Musica d'organo nella Sardegna dell'Ottocento
4:3
96
Italian Anonymous
Italian Anonymous
Passagagli in G minor
Passagagli in Sol minore
Passagagli in G minor
Passagagli in Sol minore
L'Organo a Firenze dai Medici all'Unità d'Italia
4:6
97
Italian Anonymous
Italian Anonymous
Post communion
Postcommunio in Sol maggiore
Post Communio
Postcommunio in Sol maggiore
L'Organo a Firenze dai Medici all'Unità d'Italia
2:40
98
Italian Anonymous
Italian Anonymous
Offertory in C major
Offertorio in Do maggiore
Offertorio in C major
Offertorio in Do maggiore
L'Organo a Firenze dai Medici all'Unità d'Italia
2:8
99
Italian Anonymous
Italian Anonymous
Elevation in E flat major
Elevazione in Sib maggiore
Elevazione in E flat major
Elevazione in Sib maggiore
L'Organo a Firenze dai Medici all'Unità d'Italia
5:
100
Italian Anonymous
Italian Anonymous
Toccata for the Deo Gratias in D major
Toccata per il Deo Gratias in Re maggiore
Toccata per il Deo Gratias in D major
Toccata per il Deo Gratias in Re maggiore
L'Organo a Firenze dai Medici all'Unità d'Italia
1:35
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