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Interview with Lisa Randall and Hèctor Parra  Lisa Randall on major questions concerning physical theories of the 20th century. Possible developm
Interview with Lisa Randall and Hèctor Parra  Lisa Randall on major questions concerning physical theories of the 20th century. Possible developm
 
 
3:9
5
Interview with Lisa Randall and Hèctor Parra  The models "Randall-Sundrum 1 and 2" presented by Lisa Randall: five dimensional theories of space-
Interview with Lisa Randall and Hèctor Parra  The models "Randall-Sundrum 1 and 2" presented by Lisa Randall: five dimensional theories of space-
 
 
11:2
7
Interview with Lisa Randall and Hèctor Parra  Music and Physics - the first contacts between Lisa Randall and Hèctor Parra: initial steps towards
Interview with Lisa Randall and Hèctor Parra  Music and Physics - the first contacts between Lisa Randall and Hèctor Parra: initial steps towards
 
 
6:50
10
Interview with Lisa Randall and Hèctor Parra  Hèctor Parra talks about how this 5th dimension would sound: live electronics and their progressive
Interview with Lisa Randall and Hèctor Parra  Hèctor Parra talks about how this 5th dimension would sound: live electronics and their progressive
 
 
11:25
12
Interview with Lisa Randall and Hèctor Parra  Working with the artist Matthew Ritchie
Interview with Lisa Randall and Hèctor Parra  Working with the artist Matthew Ritchie
 
 
3:54
13
Interview with Lisa Randall and Hèctor Parra  Future projects in the fields of physics and music
Interview with Lisa Randall and Hèctor Parra  Future projects in the fields of physics and music
 
 
2:21
15
Conversation: Brahms & his pianos  Comparison Recordings. Intermezzo in A minor, op. 116/2 (modern piano)
Conversation: Brahms & his pianos  Comparison Recordings. Intermezzo in A minor, op. 116/2 (modern piano)
 
4:23
16
Conversation: Brahms & his pianos  Comparison Recordings. Intermezzo in A minor, op. 116/2 (Erard)
Conversation: Brahms & his pianos  Comparison Recordings. Intermezzo in A minor, op. 116/2 (Erard)
 
4:
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Conversation: Brahms & his pianos  Comparison Recordings. Intermezzo in C major, op. 119/3 (modern piano)
Conversation: Brahms & his pianos  Comparison Recordings. Intermezzo in C major, op. 119/3 (modern piano)
 
1:44
18
Conversation: Brahms & his pianos  Comparison Recordings. Intermezzo in C major, op. 119/3 (Streicher)
Conversation: Brahms & his pianos  Comparison Recordings. Intermezzo in C major, op. 119/3 (Streicher)
 
1:45
36
Conversations with Michael Colgrass  Three Brothers and the inspiration for becoming a composer
Conversations with Michael Colgrass  Three Brothers and the inspiration for becoming a composer
 
7:56
37
Conversations with Michael Colgrass  Percussion Music: Bach, Max Roach, and Baroque drumming
Conversations with Michael Colgrass  Percussion Music: Bach, Max Roach, and Baroque drumming
 
2:56
38
Conversations with Michael Colgrass  Chamber Piece for Percussion Quintet: Mozart and Beethoven for percussion
Conversations with Michael Colgrass  Chamber Piece for Percussion Quintet: Mozart and Beethoven for percussion
 
3:22
39
Conversations with Michael Colgrass  Inventions on a Motive: thanks Rosemary!
Conversations with Michael Colgrass  Inventions on a Motive: thanks Rosemary!
 
2:44
40
Conversations with Michael Colgrass  Variations for Four Drums and Viola
Conversations with Michael Colgrass  Variations for Four Drums and Viola
 
9:10
43
Conversations with Michael Colgrass  Toy Drums, tunable tom-toms, and the development of the roto-tom
Conversations with Michael Colgrass  Toy Drums, tunable tom-toms, and the development of the roto-tom
 
4:35
47
Treemonisha: Libretto Preface (read by Scott Joplin's closest living relative, Grandniece Mrs. LaErma White)  Treemonisha: Appendix. Libretto Preface (read by Scott Joplin's closest living relative, Grandniece Mrs. LaErma White)
Treemonisha: Libretto Preface (read by Scott Joplin's closest living relative, Grandniece Mrs. LaErma White)  Treemonisha: Appendix. Libretto Preface (read by Scott Joplin's closest living relative, Grandniece Mrs. LaErma White)
 
6:32
85
Ghosts Introduction  Spoken introduction to the repeat of Allegro vivace assai
Spoken Introduction  Spoken introduction to the repeat of Allegro vivace assai
 
19
86
Bruno Weil discussion  ... zur Symphonie Nr. 102 B-Dur - 10. Londoner Symphonie
Bruno Weil discussion  ... zur Symphonie Nr. 102 B-Dur - 10. Londoner Symphonie
 
1:43
87
Bruno Weil discussion  Magischer Beginn und visionäre Theme
Bruno Weil discussion  Magischer Beginn und visionäre Theme
 
5:40
88
Bruno Weil discussion  Heimlich versteckyes Cellosolo an die Geliebte
Bruno Weil discussion  Heimlich versteckyes Cellosolo an die Geliebte
 
2:57
89
Bruno Weil discussion  Fröhlich beschwingt im Wiener Volkston
Bruno Weil discussion  Fröhlich beschwingt im Wiener Volkston
 
2:15
90
Bruno Weil discussion  ... zur Symphonie Nr. 103 Es-Dur - 11. Londoner Symphonie
Bruno Weil discussion  ... zur Symphonie Nr. 103 Es-Dur - 11. Londoner Symphonie
 
5:
94
Bruno Weil discussion  ... zur Symphonie Nr. 104 D-Dur - 12. Londoner Symphonie
Bruno Weil discussion  ... zur Symphonie Nr. 104 D-Dur - 12. Londoner Symphonie
 
4:57
95
Bruno Weil discussion  In sich ruhende Musik als Therapie
Bruno Weil discussion  In sich ruhende Musik als Therapie
 
2:28
96
Bruno Weil discussion  Metronomhinweise des Zeitzeugen Carl Czerny
Bruno Weil discussion  Metronomhinweise des Zeitzeugen Carl Czerny
 
1:7
97
Bruno Weil discussion  Kroatisches Kinderlied in der Hochblüte der Wiener Klassik
Bruno Weil discussion  Kroatisches Kinderlied in der Hochblüte der Wiener Klassik
 
3:5
98
Cage's Introduction to "45' for Speaker"  Cage's Introduction To 45' for Speaker
Cage's Introduction to "45' for Speaker"  Cage's Introduction To 45' for Speaker
 
5:8
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