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Anonymous
ARTIST MUSICS
1
Resonet in laudibus at 6  Resonet in laudibus
Resonet in laudibus a 6  Resonet in laudibus
2:59
3
Work(s)  Allegro
Work(s)  Allegro
 
2:6
4
Work(s)  Siciliano
Work(s)  Siciliano
 
1:33
5
Work(s)  Allegro
Work(s)  Allegro
 
1:48
6
Work(s)  [Allegro]
Work(s)  [Allegro]
 
2:44
8
Work(s)  Allegro
Work(s)  Allegro
 
2:34
10
How Far To Bethlehem?  How Far Is It to Bethlehem?
How Far To Bethlehem?  How Far Is It to Bethlehem?
2:16
11
Fell asleep fell asleep  Usnula, usnula, ja, Maria v ráji
Usnula usnula  Usnula, usnula, ja, Maria v ráji
 
4:27
14
I'm getting a picture  Ich sah ein bild in blauwer weyt
Ich sach ein bild  Ich sah ein bild in blauwer weyt
1:54
15
I say once the bright morning star  Ich sachs eyns mols den lichten morgensterne
Ich sachs eins mals den lichten Morgensterne  Ich sachs eyns mols den lichten morgensterne
2:3
16
Work(s)  Praeambulum super sol / Without title: (after anon J'ay pris amours a ma devise) / Without title: (Tenor: Kyrie Cunctipotens genitor Deus)
Work(s)  Praeambulum super sol / Without title: (after anon J'ay pris amours a ma devise) / Without title: (Tenor: Kyrie Cunctipotens genitor Deus)
 
5:16
25
 
1:58
29
Contact  Kontakion 'Grant repose'
Kontakion  Kontakion 'Grant repose'
4:31
30
In the baths of love  A los baños del amor (from El cancionero de Palacio)
A los baños del amor  A los baños del amor (from El cancionero de Palacio)
 
3:16
32
Work(s)  We be three poor mariners / Row well ye mariners
Work(s)  We be three poor mariners / Row well ye mariners
 
2:4
34
The Salute Carol  The Salutation Carol (OBC 36)
The Salutation Carol  The Salutation Carol (OBC 36)
2:53
35
Cant de la Sibil la  I. The Arrival of the Negro in America when first brought here as a slave: Introduction and Allegretto
Cant de la Sibil·la  I. The Arrival of the Negro in America when first brought here as a slave: Introduction and Allegretto
6:45
37
Cant de la Sibil la  III. His Adaptation, A fusion of his native and acquired impulses: Allegro
Cant de la Sibil·la  III. His Adaptation, A fusion of his native and acquired impulses: Allegro
3:9
40
Break Forth O Beauteous Light  Break Forth, O Beauteous Heavenly Light
Break Forth O Beauteous Light  Break Forth, O Beauteous Heavenly Light
1:6
41
Song of perfumers  Canto de' profumi 3vv
Canto de' profumieri  Canto de' profumi 3vv
 
2:19
42
O evil and hard hearted  O maligno e duro core 3vv
O Maligno E Duro Cuore  O maligno e duro core 3vv
 
2:0
45
Work(s)  Whoope, Do Me No Harm / Jog On
Work(s)  Whoope, Do Me No Harm / Jog On
 
2:18
46
Bonnie sweet Robin  Bonny Sweet Robin (Matthew Holmes MSS)
Bonnie sweet Robin  Bonny Sweet Robin (Matthew Holmes MSS)
 
2:27
51
O you dear Augustine  Oh du lieber Augustin
O du lieber Augustin  Oh du lieber Augustin
1:42
52
Cant de la Sibil la  I. The Arrival of the Negro in America When First Brought Here as a Slave: Introduction - Allegretto
Cant de la Sibil·la  I. The Arrival of the Negro in America When First Brought Here as a Slave: Introduction - Allegretto
7:21
53
Cant de la Sibil la  II. His Resignation and Faith: Andante
Cant de la Sibil·la  II. His Resignation and Faith: Andante
3:3
54
Cant de la Sibil la  III. His Adaptation: Allegro. A Fusion of His Native and Acquired Impulses
Cant de la Sibil·la  III. His Adaptation: Allegro. A Fusion of His Native and Acquired Impulses
3:19
56
Victime pashali lauds  Victimae paschali laudes
Victime paschali laudes  Victimae paschali laudes
1:59
60
Alas my heart  Helas mon cueur tu m'occiras
Hélas mon coeur  Helas mon cueur tu m'occiras
3:4
61
Victime pashali lauds  Victimae paschali laudes
Victime paschali laudes  Victimae paschali laudes
2:37
63
O Staris in Crib  Postaris in presepio / Maria amplioribus
O Staris in Presepio  Postaris in presepio / Maria amplioribus
 
3:12
68
Work(s)  Gloria patri (Terribilis est, doxology and respond)
Work(s)  Gloria patri (Terribilis est, doxology and respond)
 
1:14
69
Angel Gabriel  The Angel Gabriel
Angel Gabriel  The Angel Gabriel
3:28
70
Counts stojek from pohybliveho Betlema-I would be glad to k Beltemu  Já bych rád k Betlému (Ich möchte nach Bethlehem)
Hraci storjek z pohybliveho Betlema-Ja bych rad k Beltemu  Já bych rád k Betlému (Ich möchte nach Bethlehem)
 
1:13
72
Upon La-Mi-Re  Uppon La Mi Re
Upon La-Mi-Re  Uppon La Mi Re
 
2:41
75
Oh Maria Stella Maris  O Maria, Stella Maris
O Maria stella maris  O Maria, Stella Maris
 
4:3
76
Work(s)  Suite de ducties
Work(s)  Suite de ducties
 
3:42
80
Paul's Steeple  Gallicum Sine Nomine
Pauls Steeple  Gallicum Sine Nomine
1:50
82
Dance Real  Danse real (from Chansonnier du Roi)
Danse Real  Danse real (from Chansonnier du Roi)
 
1:2
83
Tribum Que Non Abhorruit / Quoniam Secta Latronum  Tribum quem non abhoruit (after Philippe de Vitry) (from the Robertsbridge Codex)
Tribum Que Non Abhorruit / Quoniam Secta Latronum  Tribum quem non abhoruit (after Philippe de Vitry) (from the Robertsbridge Codex)
 
2:50
84
Istanpitta Isabella  Isabella (Istanpitta)
Istanpitta Isabella  Isabella (Istanpitta)
 
7:17
85
Cant de la Sibil la  II. His Resignation and Faith
Cant de la Sibil·la  II. His Resignation and Faith
2:29
87
Io is a pellegrin  Io son un pellegrin (Codex Panciatichi)
Io son un pellegrin  Io son un pellegrin (Codex Panciatichi)
5:1
89
Cuncti simus concanentes (Libre Vermell) Cuncti simus concanentes (Llibre vermell)  Cuncti simus concanentes (Llibre vermell)
Cuncti simus concanentes (Libre Vermell)  Cuncti simus concanentes (Llibre vermell)
 
3:25
90
Angel Gabriel  The angel Gabriel
Angel Gabriel  The angel Gabriel
2:32
92
Vesele vanocni hody Vesel챕 v찼no훾n챠 hody  Vesel챕 v찼no훾n챠 hody
Vesele vanocni hody  Vesel챕 v찼no훾n챠 hody
 
3:1
93
God save you  Joseph est bien Mari챕
Dieu vous garde  Joseph est bien Mari챕
 
2:5
95
Close to You  Aupr챔s de vous (Second livre de danceries) (D'apr챔s Sermisy)
Au Pres de Vous  Aupr챔s de vous (Second livre de danceries) (D'apr챔s Sermisy)
 
1:35
97
Work(s)  Medley: Al Fat (Victory) / Chanterai por mon Courage
Work(s)  Medley: Al Fat (Victory) / Chanterai por mon Courage
 
9:34
100
Lark in the Morning  The Lark in the Morning
Lark in the Morning  The Lark in the Morning
 
2:36
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