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M
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classic
Sergey Prokofiev
ARTIST MUSICS
27
Eugene Onegin, Op.71  Lenski am Grab von Dmitri Larin (1/2)
Eugene Onegin, Op. 71  Lenski am Grab von Dmitri Larin (1/2)
4:20
29
Eugene Onegin, Op.71  Und so wurde sie Tatiana genannt - Tatjanas Brief (5-12)
Eugene Onegin, Op. 71  Und so wurde sie Tatiana genannt - Tatjanas Brief (5-12)
10:38
30
Eugene Onegin, Op.71  Onegin erhält Tatianas Brief - Onegin und Lenski (13-19)
Eugene Onegin, Op. 71  Onegin erhält Tatianas Brief - Onegin und Lenski (13-19)
5:5
34
Eugene Onegin, Op.71  Tatjana bei Onegin und vor Napoleon Büste (34-37)
Eugene Onegin, Op. 71  Tatjana bei Onegin und vor Napoleon Büste (34-37)
5:26
35
Eugene Onegin, Op.71  Trois intermezzi pour piano (38-40)
Eugene Onegin, Op. 71  Trois intermezzi pour piano (38-40)
7:31
36
Eugene Onegin, Op.71  Treffen Tatjanas mit Onegin in Petersburg (41)
Eugene Onegin, Op. 71  Treffen Tatjanas mit Onegin in Petersburg (41)
6:29
37
Eugene Onegin, Op.71  Brief Onegins an Tatjana und letztes Treffen (41-45)
Eugene Onegin, Op. 71  Brief Onegins an Tatjana und letztes Treffen (41-45)
10:30
38
Eugene Onegin, Op.71  Schlusschor der Studenten (46)
Eugene Onegin, Op. 71  Schlusschor der Studenten (46)
1:4
45
Queen of Spades, Op. 70  Hermann geht ein zweites Mal in dem Spielsalon
Pique Dame, Op. 70  Hermann geht ein zweites Mal in dem Spielsalon
2:56
46
Queen of Spades, Op. 70  Hermann geht zum dritten mal in den Spielsalon
Pique Dame, Op. 70  Hermann geht zum dritten mal in den Spielsalon
2:57
60
The Love for Three Oranges  Prologue. What we want is genuine tragedy!
The Love for Three Oranges  Prologue. What we want is genuine tragedy!
3:58
61
The Love for Three Oranges  Act 1. Scene 1. Oh, poor boy! Tell me the worst. What are his chances?
The Love for Three Oranges  Act 1. Scene 1. Oh, poor boy! Tell me the worst. What are his chances?
3:53
62
The Love for Three Oranges  Act 1. Scene 1. Don't worry... don't worry...
The Love for Three Oranges  Act 1. Scene 1. Don't worry... don't worry...
3:29
63
The Love for Three Oranges  Act 1. Scene 1. Leandro, please lay on a sort of royal variety show.
The Love for Three Oranges  Act 1. Scene 1. Leandro, please lay on a sort of royal variety show.
1:21
65
The Love for Three Oranges  Act 1. Scene 2. The best-laid plans of mice and men can meet frustration.
The Love for Three Oranges  Act 1. Scene 2. The best-laid plans of mice and men can meet frustration.
5:17
68
The Love for Three Oranges  Act 2. Scene 1. Here they come... ain't it grand? It's beginning, so hurry, hurry!
The Love for Three Oranges  Act 2. Scene 1. Here they come... ain't it grand? It's beginning, so hurry, hurry!
2:55
69
The Love for Three Oranges  Act 2. Scene 2. For your delight, I present first, this!
The Love for Three Oranges  Act 2. Scene 2. For your delight, I present first, this!
1:58
70
The Love for Three Oranges  Act 2. Scene 2. Who are you? What do you want here?
The Love for Three Oranges  Act 2. Scene 2. Who are you? What do you want here?
3:4
71
The Love for Three Oranges  Act 2. Scene 2. Who is this woman?
The Love for Three Oranges  Act 2. Scene 2. Who is this woman?
5:11
72
The Love for Three Oranges  Act 2. Scene 2. I want an apple, or a banana... perhaps a cherry...
The Love for Three Oranges  Act 2. Scene 2. I want an apple, or a banana... perhaps a cherry...
5:45
73
The Love for Three Oranges  Act 3. Scene 1. Farfarello! Farfarello!
The Love for Three Oranges  Act 3. Scene 1. Farfarello! Farfarello!
4:57
74
The Love for Three Oranges  Act 3. Scene 1. Wind has died. We must be in Orange country
The Love for Three Oranges  Act 3. Scene 1. Wind has died. We must be in Orange country
4:4
76
The Love for Three Oranges  Act 3. Scene 2. Fee-fi-fo-fum! I heard a noise. Where's my ladle?
The Love for Three Oranges  Act 3. Scene 2. Fee-fi-fo-fum! I heard a noise. Where's my ladle?
5:52
77
The Love for Three Oranges  Act 3. Scene 3. We've lost our following wind, no wonder that we're getting nowhere!
The Love for Three Oranges  Act 3. Scene 3. We've lost our following wind, no wonder that we're getting nowhere!
3:48
78
The Love for Three Oranges  Act 3. Scene 3. Where did the girl come from?
The Love for Three Oranges  Act 3. Scene 3. Where did the girl come from?
5:15
79
The Love for Three Oranges  Act 3. Scene 3. We're alone, at last, my marmalade, my dessert, my true love
The Love for Three Oranges  Act 3. Scene 3. We're alone, at last, my marmalade, my dessert, my true love
8:6
80
The Love for Three Oranges  Act 3. Scene 3. Smeraldina... with a needle! Fata Morgana! Hey, look out behind you!
The Love for Three Oranges  Act 3. Scene 3. Smeraldina... with a needle! Fata Morgana! Hey, look out behind you!
4:57
81
The Love for Three Oranges  Act 4. Scene 1. Ah! I'll get you for this, I'll get you for this, see if I don't...!
The Love for Three Oranges  Act 4. Scene 1. Ah! I'll get you for this, I'll get you for this, see if I don't...!
3:17
83
The Love for Three Oranges  Act 4. Scene 2. Would you be Ninetta?
The Love for Three Oranges  Act 4. Scene 2. Would you be Ninetta?
3:19
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