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M
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classic
Dmitry Shostakovich
ARTIST MUSICS
72
Alone, Op.26  The Beginning (Overture) - Allegro vivo
Alone, Op. 26  The Beginning (Overture) - Allegro vivo
50
73
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Kuzmina wakes - Con moto
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Kuzmina wakes - Con moto
1:20
74
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Song. Konchen, Konchen tekhnikum - Allegro giocoso
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Song. Konchen, Konchen tekhnikum - Allegro giocoso
1:5
75
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Morning exercises. Allegro
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Morning exercises. Allegro
1:26
76
Alone, Op.26  Reel 1: Kuzmina in Leningrad. March. The Street. Allegro
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. March. The Street. Allegro
37
77
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Barrel-Organ. Kuzmina waits for Sobolevsky - Andantino
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Barrel-Organ. Kuzmina waits for Sobolevsky - Andantino
41
78
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Galop and song. How good life will be! - Allegro
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Galop and song. How good life will be! - Allegro
2:41
79
Alone, Op.26  Reel 1: Kuzmina in Leningrad. March - Allegretto
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. March - Allegretto
44
80
Alone, Op.26  Reel 1: Kuzmina in Leningrad. (Original) Introduction - Andante / The crockery sings "Stay!" - Anda
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. (Original) Introduction - Andante / The crockery sings "Stay!" - Anda
3:58
81
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Office typewriters - Marciale
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Office typewriters - Marciale
4
82
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. A young girl signs up - March: A
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. A young girl signs up - March: A
59
83
Alone, Op.26  Andantino in the Style of Martini by Fritz Kreisler (Reel 2: Kuzmina enlists as a teacher: her deci
Alone, Op. 26  Andantino in the Style of Martini by Fritz Kreisler (Reel 2: Kuzmina enlists as a teacher: her deci
57
84
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina starts to sign up - Marc
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina starts to sign up - Marc
1:5
85
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
46
86
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
1:4
87
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
30
88
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Overtone singer
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Overtone singer
43
89
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The steppe of the A
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The steppe of the A
56
90
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The Altai (Kuzmina
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The Altai (Kuzmina
4:58
91
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. She meets the villa
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. She meets the villa
3:37
92
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina in her peas
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina in her peas
3:7
93
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina takes coura
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina takes coura
26
94
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. Introduction - Andante
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. Introduction - Andante
18
95
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. The school class - Allegro
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. The school class - Allegro
58
96
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. The Bai selects the children to tend the sheep
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. The Bai selects the children to tend the sheep
2:53
97
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. Kuzmina is struck as she protests - Largo
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. Kuzmina is struck as she protests - Largo
43
98
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. The village chairman's wife sings a lullaby to
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. The village chairman's wife sings a lullaby to
2:46
99
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. Kuzmina sees the wife's crockery and reminisces
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. Kuzmina sees the wife's crockery and reminisces
50
100
Alone, Op.26  Reel 4: Kuzmina starts teaching the local children. The village Soviet chairman waking up - Adagio
Alone, Op. 26  Reel 4: Kuzmina starts teaching the local children. The village Soviet chairman waking up - Adagio
3:4
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