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Dmitry Shostakovich
ARTIST MUSICS
26
Alone, Op.26  Fay Lovsky theremin. Storm scene: Snow storm
Alone, Op. 26  Fay Lovsky theremin. Storm scene: Snow storm
2:22
27
Alone, Op.26  Fay Lovsky theremin. Storm scene: Calm after the storm
Alone, Op. 26  Fay Lovsky theremin. Storm scene: Calm after the storm
1:34
75
The Gadfly, Op.97  Romance for cello and orchestra
The Gadfly, Op. 97  Romance for cello and orchestra
2:59
76
The Gadfly, Op.97  Nocturne for cello and orchestra
The Gadfly, Op. 97  Nocturne for cello and orchestra
3:56
79
Alone, Op.26  The Beginning (Overture) - Allegro vivo
Alone, Op. 26  The Beginning (Overture) - Allegro vivo
50
80
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Kuzmina wakes - Con moto
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Kuzmina wakes - Con moto
1:20
81
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Song. Konchen, Konchen tekhnikum - Allegro giocoso
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Song. Konchen, Konchen tekhnikum - Allegro giocoso
1:5
82
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Morning exercises. Allegro
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Morning exercises. Allegro
1:26
83
Alone, Op.26  Reel 1: Kuzmina in Leningrad. March. The Street. Allegro
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. March. The Street. Allegro
37
84
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Barrel-Organ. Kuzmina waits for Sobolevsky - Andantino
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Barrel-Organ. Kuzmina waits for Sobolevsky - Andantino
41
85
Alone, Op.26  Reel 1: Kuzmina in Leningrad. Galop and song. How good life will be! - Allegro
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. Galop and song. How good life will be! - Allegro
2:41
86
Alone, Op.26  Reel 1: Kuzmina in Leningrad. March - Allegretto
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. March - Allegretto
44
87
Alone, Op.26  Reel 1: Kuzmina in Leningrad. (Original) Introduction - Andante / The crockery sings "Stay!" - Anda
Alone, Op. 26  Reel 1: Kuzmina in Leningrad. (Original) Introduction - Andante / The crockery sings "Stay!" - Anda
3:58
88
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Office typewriters - Marciale
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Office typewriters - Marciale
4
89
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. A young girl signs up - March: A
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. A young girl signs up - March: A
59
90
Alone, Op.26  Andantino in the Style of Martini by Fritz Kreisler (Reel 2: Kuzmina enlists as a teacher: her deci
Alone, Op. 26  Andantino in the Style of Martini by Fritz Kreisler (Reel 2: Kuzmina enlists as a teacher: her deci
57
91
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina starts to sign up - Marc
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina starts to sign up - Marc
1:5
92
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
46
93
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
1:4
94
Alone, Op.26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
Alone, Op. 26  Reel 2: Kuzmina enlists as a teacher: her decisions and conflicts. Kuzmina explains her situation t
30
95
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Overtone singer
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Overtone singer
43
96
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The steppe of the A
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The steppe of the A
56
97
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The Altai (Kuzmina
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. The Altai (Kuzmina
4:58
98
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. She meets the villa
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. She meets the villa
3:37
99
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina in her peas
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina in her peas
3:7
100
Alone, Op.26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina takes coura
Alone, Op. 26  Reel 3: Kuzmina arrives "alone" in the Altai Steppes. The Altai people at work. Kuzmina takes coura
26
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