Role

:

Composer Performer

Birth

:

1971

 

Marco Oppedisano is a contemporary classical music composer and guitarist who was born in Brooklyn, New York in 1967. He grew up in a family of musicians, with his father being a jazz pianist and his mother a classical pianist. Oppedisano began playing the guitar at the age of 13 and was soon performing in rock bands. However, he was also drawn to classical music and began studying composition and guitar performance at the Manhattan School of Music. Oppedisano's early compositions were heavily influenced by the minimalist music of composers such as Steve Reich and Philip Glass. He also drew inspiration from the avant-garde works of John Cage and the electronic music of Brian Eno. Oppedisano's music often features repetitive patterns and textures, as well as electronic sounds and effects. One of Oppedisano's early works, "Still Life with Guitar," was written for solo guitar and electronics. The piece features a series of repeating patterns and textures, with the guitar playing a prominent role in the composition. Oppedisano's use of electronic effects adds an otherworldly quality to the music, creating a dreamlike atmosphere. In 2001, Oppedisano released his debut album, "Resolute," which featured a collection of his compositions for guitar and electronics. The album received critical acclaim and established Oppedisano as a rising star in the contemporary classical music scene. Oppedisano's subsequent works continued to explore the intersection of classical music and electronic music. His 2004 album, "Electroacoustic Compositions," featured a series of works that combined acoustic instruments with electronic sounds and effects. The album showcased Oppedisano's ability to create complex and intricate compositions that blended traditional and modern elements. In 2007, Oppedisano released "The Ominous Corner," a collection of works for guitar and electronics that explored themes of darkness and foreboding. The album featured pieces such as "The Ominous Corner," which used dissonant chords and eerie electronic effects to create a sense of unease and tension. Oppedisano's 2010 album, "Mechanical Uprising," was inspired by the industrial sounds of New York City. The album featured a series of works that combined acoustic instruments with electronic sounds and effects, creating a futuristic and dystopian atmosphere. The album's title track, "Mechanical Uprising," featured a driving rhythm and distorted guitar sounds that evoked the sound of machinery in motion. In addition to his work as a composer, Oppedisano is also an accomplished guitarist. He has performed his compositions at venues such as the Knitting Factory and the Bang on a Can Marathon. He has also collaborated with other musicians, including the percussionist David Cossin and the guitarist Elliott Sharp. Oppedisano's music has been praised for its innovative use of electronic sounds and effects, as well as its ability to blend classical and modern elements. His compositions often feature intricate patterns and textures, creating a rich and complex sonic landscape. Oppedisano's work continues to push the boundaries of contemporary classical music, exploring new sounds and ideas while remaining firmly rooted in tradition.

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