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Elif Ebru Sakar is a Turkish classical music composer who has made a name for herself in the world of music. She was born on May 5, 1985, in Istanbul, Turkey. From a young age, Sakar showed a keen interest in music and began playing the piano at the age of six. Her parents recognized her talent and encouraged her to pursue her passion for music. Sakar attended the Istanbul University State Conservatory, where she studied composition under the guidance of renowned composers such as Ahmet Adnan Saygun and Kamran Ince. She graduated with a degree in composition in 2008 and went on to pursue a master's degree in composition at the same institution. During her studies, Sakar was exposed to a wide range of musical styles and genres, which helped shape her unique musical voice. She drew inspiration from Turkish folk music, classical music, and contemporary music, and blended these influences to create her own distinctive sound. Sakar's early works were characterized by their use of traditional Turkish instruments, such as the ney, kemenche, and ud, and their incorporation of Turkish folk melodies. Her compositions were also marked by their use of unconventional harmonies and rhythms, which gave her music a modern edge. One of Sakar's early works, "Sonsuzluk," was premiered at the Istanbul International Music Festival in 2007. The piece, which was written for string quartet and ney, was well-received by audiences and critics alike and helped establish Sakar as a rising star in the world of classical music. In 2009, Sakar was awarded a scholarship to attend the Aspen Music Festival and School in Colorado, where she studied with renowned composers such as Christopher Rouse and George Tsontakis. Her time at Aspen helped broaden her musical horizons and exposed her to new ideas and techniques. Sakar's music continued to evolve and mature over the years, and she began to incorporate more electronic and experimental elements into her compositions. Her 2012 work, "Kara Kutu," for example, featured a combination of acoustic and electronic instruments and explored themes of memory and nostalgia. In 2014, Sakar was commissioned by the Istanbul Foundation for Culture and Arts to write a piece for the Istanbul Music Festival. The resulting work, "Kara Toprak," was a tribute to the victims of the Soma mining disaster, which had occurred earlier that year. The piece, which was performed by the Borusan Istanbul Philharmonic Orchestra, was a powerful and emotional work that showcased Sakar's ability to convey complex emotions through music. Sakar's music has been performed by orchestras and ensembles around the world, including the Istanbul State Symphony Orchestra, the Borusan Istanbul Philharmonic Orchestra, and the New York Philharmonic. Her works have been featured at numerous festivals, including the Istanbul International Music Festival, the Aspen Music Festival, and the Bang on a Can Marathon. In addition to her work as a composer, Sakar is also an accomplished pianist and has performed her own works in concert. She has also collaborated with other musicians and artists, including the Turkish poet Murathan Mungan and the visual artist Canan Tolon. Sakar's music is characterized by its emotional depth, its use of unconventional harmonies and rhythms, and its incorporation of traditional Turkish music. Her works often explore themes of memory, nostalgia, and identity, and are marked by a sense of introspection and reflection.

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