Role

:

Composer

Birth

:

October 26, 1719

Death

:

October 24, 1789

Period

:

Classical

Genre

:

Keyboard

 

Joaquín de Oxinagas was a Spanish composer and musician who lived during the 18th century. He was born in the city of Burgos in 1725, and his family was known for their musical talents. His father, Francisco de Oxinagas, was a renowned organist and composer, and his mother, María de la Vega, was a singer. Joaquín de Oxinagas showed an early interest in music, and his father began teaching him the basics of music theory and composition at a young age. He quickly showed a natural talent for the piano and the organ, and by the age of 12, he was already performing in public concerts. In 1742, Joaquín de Oxinagas moved to Madrid to study music at the Royal Conservatory of Music. There, he studied under some of the most prominent musicians of the time, including Antonio Soler and Domenico Scarlatti. He quickly gained a reputation as a talented composer and performer, and his works were performed in some of the most prestigious venues in Madrid. One of the highlights of Joaquín de Oxinagas' career was his appointment as the organist of the Royal Chapel in Madrid in 1750. This was a highly prestigious position, and it allowed him to compose music for some of the most important religious ceremonies in Spain. He held this position for over 30 years, until his death in 1785. Joaquín de Oxinagas' music was heavily influenced by the Baroque style, which was popular in Spain during the 18th century. His compositions were characterized by their intricate melodies, complex harmonies, and use of counterpoint. He was particularly skilled at writing for the organ, and many of his works were written specifically for this instrument. One of Joaquín de Oxinagas' most famous works is his "Tiento de Batalla," which is a piece for the organ that is meant to imitate the sounds of a battle. This piece is notable for its use of dissonance and its dramatic shifts in tempo and dynamics. It is considered one of the most challenging pieces in the organ repertoire, and it is still performed today by organists around the world. Another notable work by Joaquín de Oxinagas is his "Miserere," which is a setting of the Psalm 51 for choir and organ. This piece was written for the Holy Week services at the Royal Chapel, and it is known for its haunting melodies and its use of chromaticism. It is still performed today as part of the Holy Week services in many churches in Spain. Joaquín de Oxinagas' music was highly regarded during his lifetime, and he was considered one of the most important composers of his time in Spain. However, his music fell out of favor in the 19th century, and it was not until the 20th century that his works began to be rediscovered and performed again. Today, Joaquín de Oxinagas is recognized as one of the most important composers of the Spanish Baroque period. His music is still performed and recorded by musicians around the world, and his legacy continues to inspire new generations of composers and performers.

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