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Composer

 

Margaret Schedel is a contemporary classical music composer, performer, and researcher. She was born on August 28, 1977, in New York City, United States. Schedel grew up in a musical family, with her father being a jazz pianist and her mother a music teacher. She started playing the piano at a young age and later learned to play the flute and saxophone. Schedel received her Bachelor of Music degree in flute performance from the University of Wisconsin-Madison in 1999. She then went on to earn her Master of Music degree in flute performance from the University of Cincinnati College-Conservatory of Music in 2001. In 2008, she received her Ph.D. in composition from the University of California, Berkeley. Schedel's compositions are known for their innovative use of technology and interdisciplinary collaborations. She has worked with scientists, engineers, and artists to create works that explore the intersection of music, technology, and science. One of her most notable works is "Affective Earth," a multimedia piece that combines music, video, and data visualization to explore the emotional impact of climate change. Schedel has also composed works for traditional ensembles, such as "The Edge of the World," a piece for string quartet that was premiered by the JACK Quartet in 2014. Her music has been performed at festivals and venues around the world, including the International Computer Music Conference, the New York City Electroacoustic Music Festival, and the San Francisco Electronic Music Festival. In addition to her work as a composer, Schedel is also a performer and researcher. She is an accomplished flutist and has performed with ensembles such as the Berkeley Symphony Orchestra and the San Francisco Contemporary Music Players. She is also a professor of music at Stony Brook University, where she teaches courses on music technology and composition. Schedel's research focuses on the intersection of music, technology, and science. She has published numerous articles and book chapters on topics such as computer music, interactive music systems, and the use of technology in music education. She is also the co-editor of the book "The Oxford Handbook of Music and Virtuality," which explores the ways in which technology is changing the way we create, perform, and experience music. Overall, Margaret Schedel is a pioneering composer, performer, and researcher who is pushing the boundaries of contemporary classical music. Her innovative use of technology and interdisciplinary collaborations have earned her a reputation as one of the most exciting and forward-thinking composers working today.

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