Role

:

Composer

Birth

:

July 30, 1987 in Gary, IN

 

Jlin, born Jerrilynn Patton, is an American electronic music composer and producer known for her unique blend of footwork, juke, and experimental music. She was born on November 1, 1987, in Gary, Indiana, and grew up in a family of musicians. Her father was a drummer, and her mother was a choir director, which exposed her to music at an early age. Jlin started playing the clarinet in middle school and later learned to play the piano. She was also a member of her high school's marching band, where she played the snare drum. However, it wasn't until she discovered footwork music that she found her true calling. Footwork is a genre of music and dance that originated in Chicago in the 1990s. It is characterized by its fast-paced beats, syncopated rhythms, and frenetic footwork dance style. Jlin was introduced to footwork music by her brother, who was a DJ. She was immediately drawn to the genre's energy and complexity and began experimenting with making her own footwork tracks. Jlin's early music was heavily influenced by footwork, but she quickly began to incorporate other genres and styles into her compositions. Her music is characterized by its intricate rhythms, unconventional time signatures, and use of found sounds and field recordings. She has cited a wide range of influences, including classical music, jazz, hip-hop, and experimental electronic music. Jlin's breakthrough came in 2015 when she released her debut album, "Dark Energy," on the British label Planet Mu. The album received critical acclaim and was named one of the best albums of the year by several publications, including The Wire and Resident Advisor. "Dark Energy" showcased Jlin's unique approach to footwork music, with its complex rhythms and haunting melodies. Jlin's second album, "Black Origami," was released in 2017 and further cemented her reputation as one of the most innovative electronic music producers of her generation. The album was inspired by the Japanese art of origami and featured intricate rhythms and textures that were both hypnotic and challenging. "Black Origami" was also well-received by critics and was named one of the best albums of the year by several publications, including Pitchfork and The Guardian. In addition to her solo work, Jlin has collaborated with a number of other artists, including the British electronic musician Holly Herndon and the American composer William Basinski. She has also composed music for dance performances, including Wayne McGregor's "Autobiography" and Michaela DePrince's "Madame Butterfly." Jlin's music has been described as both challenging and accessible, with its complex rhythms and textures drawing in listeners from a wide range of backgrounds. She has been praised for her ability to push the boundaries of electronic music while still maintaining a strong sense of musicality and emotion. In conclusion, Jlin is a highly innovative and influential composer and producer who has made a significant impact on the world of electronic music. Her unique blend of footwork, juke, and experimental music has earned her critical acclaim and a dedicated fanbase. With each new release, Jlin continues to push the boundaries of electronic music and inspire a new generation of musicians and producers.

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