Role

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Composer Performer

Birth

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1974 in Wilmington, DE

 

Jonathan Pieslak is a contemporary classical music composer who was born in 1974 in the United States. He grew up in a musical family, with his father being a professional trumpet player and his mother a music teacher. Pieslak began playing the piano at a young age and later learned to play the trumpet and guitar. Pieslak attended the University of Michigan, where he earned a Bachelor of Music degree in composition. He then went on to earn a Master of Music degree in composition from the University of Cincinnati College-Conservatory of Music and a Doctor of Musical Arts degree in composition from the University of Michigan. Pieslak's compositions are known for their unique blend of classical and popular music styles. He often incorporates elements of rock, jazz, and electronic music into his works, creating a sound that is both innovative and accessible. One of Pieslak's most notable works is his Symphony No. 1, which was commissioned by the Detroit Symphony Orchestra and premiered in 2010. The symphony is a four-movement work that explores themes of struggle and triumph, with each movement representing a different aspect of the human experience. Another notable work by Pieslak is his Concerto for Electric Guitar and Orchestra, which was premiered by the Detroit Symphony Orchestra in 2013. The concerto features a solo electric guitar and combines elements of rock and classical music to create a dynamic and exciting sound. In addition to his work as a composer, Pieslak is also a professor of music at City College of New York. He has written extensively on the intersection of music and politics, with a particular focus on the use of music in war and conflict. Overall, Jonathan Pieslak is a talented and innovative composer whose work has earned him critical acclaim and a dedicated following. His unique blend of classical and popular music styles has helped to push the boundaries of contemporary classical music and make it more accessible to a wider audience.

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