작곡가

:   Johann Strauss II (요한 슈트라우스 II)

장르

:  

Opera

스타일

:  

Operetta

작곡년도

:   1874

출판년도

:   1874

초연

:   Apr 5, 1874

평균연주

:   109:14

악장

1

Overture

8:12

2

Act 1 : No. 2, Täubchen, das entflattert ist

3:40

3

Act 1 : No. 3, Du darfst heut' nicht

3:09

4

Act 1 : No. 4, Nein, mit solchen Advokaten (Trio)

3:50

5

Act 1 : No. 5, Komm' mit mir zum Souper (Duet)

3:56

6

Act 1 : No. 6, So muss allein ich bleiben (Trio)

3:51

7

Act 1 : No. 7, Trinke, Liebchen, trinke schnell (Finale)

6:08

8

Act 1 : No. 8, Mein Herr, was dächten Sie

3:23

9

Act 1 : No. 9, Nein, nein, ich zweifle gar nicht mehr

2:53

10

Act 2 : No. 10a, Ein Souper heut uns winkt

2:28

11

Act 2 : No. 10b, Chacun à son gout!

2:07

12

Act 2 : No. 11a, Ach, meine Herr'n und Damen

3:04

13

Act 2 : No. 11b, Mein Herr Marquis (Adeles Laughing Song)

3:38

14

Act 2 : No. 12, Dieser Anstand, so manierlich (Watch Duet)

4:48

15

Act 2 : No. 13, Klange der Heimat (Czardas)

4:30

16

Act 2. Finale : No. 14a, In Feuerstrom der Reben

4:19

17

Act 2. Finale : No. 14b, Brüderlein und Schwesterlien

4:43

18

Act 2. Finale : No. 15, Ballet (includes Waltz and Polka Unter Donner und Blitz)

4:23

19

Act 2. Finale : No. 16, Genug damit, genug!

4:28

20

Act 2. Finale : No. 17, Speil' ich die Unschuld

4:52

21

Act 2. Finale : No. 18, Ich stehe voll Zagen

6:59

22

Act 2. Finale : No. 19, O Fledermaus

3:09

See also:

• List of operettas by Johann Strauss II

• v
• t
• e

Die Fledermaus (The Bat) is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner (de) and Richard Genée.
The original source for Die Fledermaus is Das Gefängnis (The Prison), a farce by German playwright Julius Roderich Benedix (1811–1873). Another source is the French vaudeville play Le réveillon, by Henri Meilhac and Ludovic Halévy, which was first translated by Karl Haffner into a non-musical play to be produced in Vienna. However, the peculiarly French custom of the réveillon (a New Year's Eve supper party) caused problems, which were solved by the decision to adapt the play as a libretto for Johann Strauss, with the réveillon replaced by a Viennese ball. At this point Haffner's translation was handed over for adaptation to Richard Genée, who subsequently claimed not only that he had made a fresh translation from scratch but that he had never even met Haffner.

... MORE    From WIKIPEDIA