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Giacomo Puccini  (자코모 푸치니)
Tosca
100
10,000
1,400
WORK INFO
작곡가
:   Giacomo Puccini (자코모 푸치니)
장르
:  
스타일
:  
작곡년도
:   1900
평균연주
:   114:52
악장
1
Act 1 : No. 1a, Ah! Finalmente!
3:53
2
Act 1 : No. 1b, E sempre lava!
2:53
3
Act 1 : No. 1c, Sante ampolle!
2:17
4
Act 1 : No. 2, Recondita armonia
3:06
5
Act 1 : No. 3a, Mario! Mario! Mario!
6:57
6
Act 1 : No. 3b, Perché chiuso?
7:54
7
Act 1 : No. 3c, Ora stammi a sentir
2:42
8
Act 1 : No. 3d, Non la sospiri
3:52
9
Act 1 : No. 3e, Or lasciami al lavoro
3:16
10
Act 1 : No. 3f, Ah, quegli occhi!...Quale occhio al mondo
4:57
11
Act 1 : No. 4, È buona la mia Tosca
4:09
12
Act 1 : No. 5, Sommo giubilo, Eccellenza!
1:50
13
Act 1 : No. 6a, Un tal baccano in chiesa!
3:57
14
Act 1 : No. 6b, Fu grave sbaglio
4:10
15
Act 1 : No. 7a, Or tutto è chiaro
4:58
16
Act 1 : No. 7b, Tosca divina
5:15
17
Act 1 : No. 7c, O che v'offende
5:20
18
Act 1 : No. 8, Tre sbirri (Te Deum)
4:25
19
Act 2 : No. 9a, Tosca è un buon falco
3:40
20
Act 2 : No. 9b, Ella verrà...per amor del suo Mario!...Ha più forte
2:12
21
Act 2 : No. 10a, Meno male...Sale, ascende... A te quest'inno (Cantata)
2:56
22
Act 2 : No. 10b, Ov'è Angelotti...Mario?! tu qui?
3:14
23
Act 2 : No. 11a, La povera mia cena
4:30
24
Act 2 : No. 11b, Quanto?...Quanto?...Il prezzo!...Già, mi dicon venal
3:37
25
Act 2 : No. 12, Vissi d'arte (Tosca's Prayer)
3:38
26
Act 2 : No. 13a, Vedi, le man giunte io stendo a te!...Sei troppo bella
4:07
27
Act 2 : No. 13b, Tosca, finalmente mia!
4:00
28
Act 3 : No. 14, Prelude
3:28
29
Act 3 : No. 15a, Io de' sospiri
5:32
30
Act 3 : No 15b, Mario Cavaradossi?
4:08
31
Act 3 : No. 16, E lucevan le stelle
3:13
32
Act 3 : No. 17a, Franchigia a Floria Tosca
2:56
33
Act 3 : No. 17b, O dolci mani
4:11
34
Act 3 : No. 17c, Senti, l'ora è vicina
2:54
35
Act 3 : No. 18a, Amaro sol per te
3:19
36
Act 3 : No. 18b, Trionfa!... Di nova speme
3:03
37
Act 3 : No. 19a, Son pronto
2:56
38
Act 3 : No. 19b, Com'è lunga l'attesa!
2:48
Tosca ([ˈtɔska) is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. The work, based on Victorien Sardou's 1887 French-language dramatic play, La Tosca, is a melodramatic piece set in Rome in June 1800, with the Kingdom of Naples's control of Rome threatened by Napoleon's invasion of Italy. It contains depictions of torture, murder and suicide, as well as some of Puccini's best-known lyrical arias. Puccini saw Sardou's play when it was touring Italy in 1889 and, after some vacillation, obtained the rights to turn the work into an opera in 1895. Turning the wordy French play into a succinct Italian opera took four years, during which the composer repeatedly argued with his librettists and publisher. Tosca premiered at a time of unrest in Rome, and its first performance was delayed for a day for fear of disturbances. Despite indifferent reviews from the critics, the opera was an immediate success with the public. Musically, Tosca is structured as a through-composed work, with arias, recitative, choruses and other elements musically woven into a seamless whole. Puccini used Wagnerian leitmotifs (short musical statements) to identify characters, objects and ideas. While critics have frequently dismissed the opera as a facile melodrama with confusions of plot—musicologist Joseph Kerman famously called it a "shabby little shocker"—the power of its score and the inventiveness of its orchestration have been widely acknowledged. The dramatic force of Tosca and its characters continues to fascinate both performers and audiences, and the work remains one of the most frequently performed operas. Many recordings of the work have been issued, both of studio and live performances.
The French playwright Victorien Sardou wrote more than 70 plays, almost all of them successful, and none of them performed today. In the early 1880s Sardou began a collaboration with actress Sarah Bernhardt, whom he provided with a series of historical melodramas. His third Bernhardt play, La Tosca, which premiered in Paris on 24 November 1887, and in which she starred throughout Europe, was an outstanding success, with more than 3,000 performances in France alone.
    From WIKIPEDIA
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