작곡가

:   Pyotr Il'yich Tchaikovsky (표트르 일리치 차이콥스키)

장르

:  

Ballet

스타일

:  

Ballet

작곡년도

:   1888 - 1889

평균연주

:   140:33

악장

1

Introduction

3:21

2

Prologue : March (No. 1). Entrance of King and Court

4:39

3

Prologue : Dance Scena (No. 2). Entrance of Fairies

4:22

4

Prologue : Pas de Six (No. 3a). Fairies present gifts. Intrada - Adagio

3:58

5

Prologue : Pas de Six (No. 3b). Variation 1 Candile

1:23

6

Prologue : Pas de Six (No. 3c). Variation 2 Coulante

0:40

7

Prologue : Pas de Six (No. 3d). Variation 3 Breadcrumb

1:04

8

Prologue : Pas de Six (No. 3e) Variation 4 Canaries

0:36

9

Prologue : Pas de Six (No. 3f). Variation 5 Violente

1:01

10

Prologue : Pas de Six (No. 3g). Variation 6 Lilac Fairy (Waltz)

2:42

11

Prologue : Pas de Six (No. 3h). Coda

1:40

12

Prologue : Finale (No. 4). La Fée des lilas sort

7:50

13

Act 1 : Scena (No. 5). The Palace Garden

6:10

14

Act 1 : Waltz (No. 6).

4:26

15

Act 1 : Scena (No. 7). The Four Princes

1:59

16

Act 1 : Pas d'action (No. 8a). Introduction (Andante) and Rose Adagio

5:51

17

Act 1 : Pas d'action (No. 8b). Dance of the Maids of Honor & Pages

2:06

18

Act 1 : Pas d'action (No. 8c). Aurora's Variation

3:04

19

Act 1 : Pas d'action (No. 8d). Coda

2:08

20

Act 1 : Finale (No. 9). La Fée des lilas paraît

6:35

21

Act 2 : Entr'acte & Scena (No. 10)

3:08

22

Act 2 : Blind Man's Buff (Colin-Maillard) (No. 11) (Allegro vivo)

1:36

23

Act 2 : Scena (No. 12a). (Moderato)

1:43

24

Act 2 : Scena (No. 12b).Dance of the Duchesses (Minuet)

1:02

25

Act 2 : Scena (No. 12c).Dance of the Baronesses (Gavotte)

1:00

26

Act 2 : Scena (No. 12d).Dance of the Countesses

0:40

27

Act 2 : Scena (No. 12e).Dance of the Marchionesses

0:46

28

Act 2 : Farandole (No. 13a). Scena

0:43

29

Act 2 : Farandole (No. 13b). Danse (Tempo di Mazurka)

1:37

30

Act 2 : Scena (No. 14). Arrival of the Huntsmen

5:12

31

Act 2 : Coda (No. 15a). Pas d'action. Vision

4:22

32

Act 2 : Coda (No. 15b). Aurora's Variation (Allegro comodo)

1:30

33

Act 2 : Coda (No. 15c)

1:24

34

Act 2 : Scena (No. 16) (Allegro agitato)

0:45

35

Act 2 : Panorama (No. 17) (Andantino)

3:11

36

Act 2 : Entr'acte (No. 18) (Andante sostenuto)

6:25

37

Act 2 : Symphonic Entr'acte (No. 19): Aurora's Sleep & Scena

6:48

38

Act 2 : Finale (No. 20). Breaking of Spell (Allegro agitato)

2:14

39

Act 3 : March (No. 21)

3:08

40

Act 3 : Polonaise (No. 22) (Allegro moderato)

4:05

41

Act 3 : Pas de Quatre (No. 23a). Intrada (Allegro non tanto)

1:55

42

Act 3 : Pas de Quatre (No. 23b). Gold Fairy. Valse

1:11

43

Act 3 : Pas de Quatre (No. 23c). Silver Fairy. Polka

1:05

44

Act 3 : Pas de Quatre (No. 23d). Sapphire Fairy

0:54

45

Act 3 : Pas de Quatre (No. 23e). Diamond Fairy

0:57

46

Act 3 : Pas de Quatre (No. 23f). Coda

0:48

47

Act 3 : Pas de caractère (No. 24). Puss-in-Boots & the White Cat

2:08

48

Act 3 : Pas de Quatre (No. 25a). Adagio

2:25

49

Act 3 : Pas de Quatre (No. 25b). Variation 1 Cinderella and Prince (Waltz)

1:11

50

Act 3 : Pas de Quatre (No. 25c). Variation 2 The Blue Bird and Princess Florine

1:29

51

Act 3 : Pas de Quatre (No. 25d). Coda

1:18

52

Act 3 : Pas de caractère (No. 26). Little Red Riding-Hood & the Wolf

1:34

53

Act 3 : Pas de caractère (No. 26). Cinderella & Prince Fortuné

2:25

54

Act 3 : Pas Berrichon (No. 27). Hop 'o my Thumb

1:20

55

Act 3 : Pas de Deux (No. 28a). Aurora & Prince Desiré (Allegro and Waltz)

1:05

56

Act 3 : Pas de Deux (No. 28b). Entree

1:37

57

Act 3 : Pas de Deux (No. 28c). Adagio

4:33

58

Act 3 : Pas de Deux (No. 28d). Prince's Variation

1:02

59

Act 3 : Pas de Deux (No. 28e). Aurora's Variation

2:00

60

Act 3 : Pas de Deux (No. 28f). Coda

1:29

61

Act 3 : Sarabande (No. 29)

2:21

62

Act 3 : Finale (No. 30a). Mazurka (Allegro brillante)

5:24

63

Act 3 : Finale (No. 30b). Apotheosis (Andante molto maestoso)

2:46

*Paquita (1847, *1881)
*Le Corsaire (1858, 1863, 1868, 1885, 1899)
The Pharaoh's Daughter (1862, *1885, *1898)
Le Roi Candaule (1868, *1891, *1903)
Don Quixote (1869, *1871)
La Bayadère (1877, *1900)
*Giselle (1884, 1899, 1903)
*Coppélia (1884)
*La fille mal gardée (1885)
*La Esmeralda (1886, 1899)
The Talisman (1889)
The Sleeping Beauty (1890)
The Nutcracker (1892)
Cinderella (1893)
Le Réveil de Flore (1894)
*Swan Lake (1895)
*The Little Humpbacked Horse (1895)
Raymonda (1898)
The Seasons (1900)
Harlequinade (1900)
The Sleeping Beauty (Russian: Спящая красавица / Spyashchaya krasavitsa) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Peter Ilyich Tchaikovsky (his opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's La Belle au bois dormant. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets.
Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of Undine. It was later decided that Charles Perrault's La Belle au bois dormant would be the story for which Tchaikovsky would compose the music for the ballet. Tchaikovsky did not hesitate to accept the commission, although he was aware that his only previous ballet, Swan Lake, met with little enthusiasm at that stage of his career. The ballet scenario that Tchaikovsky worked on was based on the Brothers Grimm's version of Perrault's work entitled 'Dornröschen'. In that version, the Princess's parents (the King and the Queen) survived the 100-year sleep to celebrate the Princess's wedding to the Prince. However, Vsevolozhsky incorporated Perrault's other characters from his stories into the ballet, such as Puss in Boots, Little Red Riding Hood, Cinderella, Bluebird, Ricky of the Tuft and Tom Thumb. Other French fairy tale characters to be featured are Beauty and the Beast, Pretty Goldilocks and The White Cat. Regardless, Tchaikovsky was happy to inform the Director of the Imperial Theatre that he had great pleasure studying the work and had come away with adequate inspiration to do it justice.

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